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Editor's note: This article was written Monday, before Apple made any announcements about changes to iTunes. You can read the story that followed the company's formal announcement at Macworld 2009 here.

Apple has cut deals that will finally enable iTunes to offer songs free of copy protection software from the three largest music labels, according to two sources close to the negotiations. In exchange, Apple has agreed to become more flexible on pricing, the sources said.

Under the terms of the deal, song prices will be broken down into three categories--older songs from the catalog, midline songs (newer songs that aren't big hits), and current hits--said one of the sources. Apple has offered songs free of digital rights management protections from EMI for more than a year. But EMI accounts for less than 10 percent of music sold in the U.S.; these new deals will expand iTunes' DRM-free library to include songs from the other three major labels (Sony BMG, Universal, and Warner Music).

Apple and the music labels have also apparently come to terms on over-the-air downloads, according to a source. That would allow iPhone owners to download songs to their mobile devices via cell networks and without the aid of Wi-Fi. Apple, which closed the deals last week, could announce the agreements as early as Tuesday at the Macworld Conference and Expo in San Francisco.

Apple did not respond to requests for comment.

DRM-free songs are something that ... Read more

In a time when '60s pop-soul is back in style, artists such as Amy Winehouse and Duffy are in high demand. Anjulie is right there in the mix with her catchy throwback single "Boom," which has enough bounce for the dance club yet is laid-back enough for headphone listening.

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*From the Free MP3 archive* Though they left indie labels behind years ago, Death Cab's indie cred's still in full effect. Singer-guitarist Ben Gibbard's confessional, heartfelt lyrics come wrapped in meticulously placed arrangements and straightforward production that results in sturdy, melodic music.

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Playing off the West Coast sibling theme, Kurupt and Roscoeâ??s updated version of The Frank and Jess Story swaps out the horses for lowriders and the cowboy boots for Air Force Ones, and it includes an iller posse featuring Daz Dillinger, Too Short, and Kokane.

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*From the Free MP3 archive* Residents at C.M. Bidasoa in Pamplona, Spain, perform these unadorned Gregorian chants. It's beautiful vocal work inspired by deeply religious experiences.

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Digital music, long the bane of the music industry, may finally be something that record label executives can smile about.

For 2008, total music sales rose 10 percent to 1.51 billion units sold, up from 1.36 billion units the year before, according to industry tracker Nielsen. Units tallied include physical albums, digital albums and tracks, and music videos.

The biggest contributor to the growth was digital music, Nielsen reported. There were 1.07 billion digital tracks sold in 2008, up 27 percent from 2007, and there were 65.8 million digital albums sold, up 32 percent.

Those numbers square with recent reports on music downloads. For the third quarter, for instance, legal music downloads from sites such as iTunes and AmazonMP3 were up 29 percent from the same period a year earlier, according to NPD Group.

And coincidentally or not, the Recording Industry Association of America in December said that it would dramatically curb its practice of suing people that it suspected of illegal sharing of copyrighted music.

All told, according to Nielsen, the number of albums sold--including CDs, LPs, and digital albums--fell 14 percent to 428 million in the year just ended. Physical albums sold through e-commerce sites fell 8.6 percent to 27.5 million units from 2007 to 2008.

Universal Music Group came out on top among record labels for total album sales in 2008 (31.5 percent market share, down ever so slightly from 2007) as well as ... Read more

Synths can be seductive for solo artists; the keyboard gives you options, but it won't solve other problems. Kellarissa's "Flamingo" LP shows what less skilled bards are forever driving at. Processed hazes envelop vocals that would be fine on their own, and the result is an elegant post-torch pop.

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In marketing materials for its new $150 in-ear headphones, Monster headlines its package with the question, "The world's best-sounding earphones?" I'm not sure if we should take this as a declaration or an actual question, but so far the answer from Amazon reviewers and some blogs is a pretty stiff "no."

Monster's new $150 earphones promise great sound.

(Credit: Amazon)

To be fair, some blogs have reviewed the Turbines favorably. It's also worth noting that Amazon reviews can be written by anyone, including PR reps from other manufacturers (not that we're accusing anybody of anything). But it's rare that you see a product get a one-star rating from virtually every "reviewer" (at the time of this writing there were 11 one-star reviews and one four-star review).

Part of the problem stems from the fact that Monster has its share of both fans and detractors. As one reviewer from Amazon's End User blog notes, "Monster Cable has always had a bit of an embattled reputation amongst enthusiasts--strong opinions on both sides fly back and forth on message boards and newsgroups like verbal trebuchets whenever their name comes up."

Personally, I think it's risky for a manufacturer to go overboard with marketing hyperbole, especially when you're entering a fairly mature market. Yes, you want to make a splash, but there's the danger of over-promising and under-delivering.

In its press release, Monster says the Turbines are the "world's first high-performance in-ear ... Read more

*From the Free MP3 archive* On new tracks like "Liar (It Takes One To Know One)," the punk/pop heroes continue to evolve their means of crossing alternative leanings with arena-ready hooks. Here, their slight--and welcome--subversions include moodier prod on guitars and genuinely achy vocals.

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As I said in my 2008 sum-up, people tend to overestimate the amount of change that will happen in one year--which means my best bet for 2009 would be to simply reiterate my almost-there predictions from 2008, like the death of DRM and the decline of the concert industry.

What does my 2009 crystal ball predict?

(Credit: Wikimedia Commons)

But that would be boring. Thus, behold my all-new-and-improved predictions for music and technology in 2009:

Zune phone--sort of. 2009 will finally be the year that Microsoft takes the wraps off its mobile-entertainment strategy, and the Zune brand will be prominently featured. Perhaps as early as next week at CES, Microsoft will announce a version of the Zune Marketplace and accompanying client software for mobile phones--perhaps only Windows Mobile, but perhaps some other platforms as well. There's an outside chance that the company will also announce plans to build its own music phone, but not at CES, and only if the third-party approach fails to gain traction against the iPhone and RIM. I don't think the Zune-phone strategy will be tied to Windows Mobile 7, though, as I don't think that platform will come out until 2010.

$99 iPhone. Apple will introduce a 4GB iPhone that will sell for $99 with a two-year AT&T data contract. (Or, less likely, lower the 8GB price to $99 by mid-year.) With this new lower price, the iPhone will continue to gain market share at the expense of Symbian and Windows ... Read more